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| GAME INFO | ||
|---|---|---|
 |
Genre: Action, Survival Horror/ Role Playing Game (RPG) | |
| Developer: Techland | ||
| Publisher: Warner Bros. Interactive Entertainment | ||
| ESRB Rating: Mature | ||
| Release Date: April 1, 2014 | ||
Dying Light: Here - Issue Increased take-fueled zombie Survival Parkour to a new level. Experience the definitive Dying Light with the new system Legend, visual improvements, major gameplay enhancements, and more. The package comes with all the bonus content available, including Be Zombie, Cuisine & Cargo, Survivor Ultimate Bundle, and the Bozak Horde. Last but not least, a trip outside the walls of Harran to find, a new region wide dangerous in Dying Light: Here - the expansion-story based on a large carry a mysterious character, new weapons are lethal, the search for the unexpected, and dirt is fully customizable and can the train passed.
Game OVERVIEW |
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Zombie Slayer Dream Come True
Experience the definitive Dying Light
Upgrade Game - Off The light is now bigger, better and scarier than before. Experience the main zombie as you scavenge for supplies, craft weapons, and do whatever you can to survive in the city ravaged by a zombie virus.
Expanded with Dying Light: Here - Discover countless chapters Kyle Crane story thanks to this massive expansion. Investigate the mysterious people you leave the quarantine zone and take a trip into the countryside seems to be quiet - an area larger than all the combined areas of the original game!
Encouraging Survival - Lights Off: Following the train introduces drivable dirt that you can freely customize and upgrade with the special weapons, attachments and decals to make the most lethal weapon you have not.
All DLC and Update - Get all the additional content ever released for the Dying Light in one go, including Be Zombie multiplayer mode, which Cuisine & Cargo challenge missions, Survivor Ultimate Bundle, Bozak game Horde mode, and more.
Experience the definitive Dying Light
Upgrade Game - Off The light is now bigger, better and scarier than before. Experience the main zombie as you scavenge for supplies, craft weapons, and do whatever you can to survive in the city ravaged by a zombie virus.
Expanded with Dying Light: Here - Discover countless chapters Kyle Crane story thanks to this massive expansion. Investigate the mysterious people you leave the quarantine zone and take a trip into the countryside seems to be quiet - an area larger than all the combined areas of the original game!
Encouraging Survival - Lights Off: Following the train introduces drivable dirt that you can freely customize and upgrade with the special weapons, attachments and decals to make the most lethal weapon you have not.
All DLC and Update - Get all the additional content ever released for the Dying Light in one go, including Be Zombie multiplayer mode, which Cuisine & Cargo challenge missions, Survivor Ultimate Bundle, Bozak game Horde mode, and more.
Game REVIEW |
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Oh, Lights Off, how much I love you. I love the way you let me jump on the roof and climb the tower as high as acrobats with an endless supply of energy. I love how I can Dropkick zombies and watch her body banging putting others like a bowling ball fleshy. I like looking over my shoulder as I run through the darkness, only to see the crowd of the undead running towards me, growling creepy and show off their terrible teeth.
But oh, Lights Off, how do you bother me. I hate you for a shooter who ambushed while I was swimming under water, because there is no way to know how to react until I showed up and found that I was not meant to peek my head out - yet. I hate you for the time you fill the screen with so much fog and bloom during the boss fight that I can not see very well. I hate to order that when you make me jump from one pole to the other, because you are making it difficult to get a good look at my neighborhood, and the hint button you hardly generous. And I hate moments most because your system is strong enough to allow open-world gameplay do the heavy lifting. The harder you try to direct action, weaker you become.
Fight or flee? This decision is as old as man himself.
If you count yourself among the fandom Dead Island, your expectations have been defined. You understand this inconsistency developer Techland, and you are ready to ignore the husk so that you can reap the wheat. Dying Light to grow from the same pile of strange mutated as Dead Island, but establish a separate identity from the outset. The first became apparent difference is in tone: Dead Island where the story was hard to take seriously, Off The light sets the stage for a dark drama with a city overrun with infected victims, and desperate people anxious to hospitals and relief. There was a light touch here and there: you stumble upon The Bites Motel, for example, and the covers of magazines and other details offer plenty of visual jokes. But you are meant to be fearful and cautious, and you are meant to empathize with the victims to work hard just to survive, let alone thrive.
As a secret agent sent to Harran to recover the secret file, you find yourself in over your head, play a triple agent as you perform tasks during the two main factions of the city while radioing information to the head honcho of your institution. Death is always in the air, not only because of infection has been controlled by two fairly large explorable areas in the city, but because the victim was so tired, so close to defeat. Dying Light lumbers through one cliché after another, but it was very tasty: an expressive face and a decent voice acting make beats story and cutscenes worthy of attention, even when specifically - anti-heroes with hearts of gold, a doctor close to finding a cure, criminals who thirst for power - fall solid in the ever-there, done-that territory.
Dying Light also sets itself apart with parkour system, which sees you walk around the city from a first person perspective. It takes some time to get used to climb to the rim, which requires you to see them in a proper way. But then it was off to the races, and you walk on the roof and sneering at the bottom of zombies, which largely can not handle the climb. Rushing through this fabulous world of open way, because it is solid (if not quite as good) control and well constructed climbing and jumping the road, especially in the second half of the game, which takes place in the old town vertical-minded city. Even better, parkour energizing moments of great tension. Cry comparison much easier, considering how you open some safe home game by climbing high towers. But the climb requires more finesse and situational awareness than it does in Far Cry 4, and some tower too high, making the whole effort anxiety in precision drills.
And the tension is another aspect of the Dead Lights that set it apart from fellow zombie-game. When night falls, a very dangerous and fast zombies roam the city, and all changes in timbre. It's best to avoid their vision cone criminals and avoid direct confrontation, but you sometimes mobbed irrespective of the movement of your heart. undead is more persistent than Liberty City police department, so the best option is to run, run, run until you lose them. You can hold the key to look behind you and see how close they are, and do it can be surprising when you see the incoming hordes. It has been some time since a legitimate zombie game scared me, but that looks behind-your-move revealed some horrific sights. By day, you quickly around and, sometimes, to face your fears infected. After the sun has set, you slip and ran, trying not to catch the eye of a deadly volatile nearby.
Throw in a three-pronged system upgrades that make you stronger and more agile as the game progresses, and you have the basis of a great game. Alas, too often flounders Off Lights for it to achieve greatness, even though it is ready to develop the same cult following so many games Techland did. It is a very long game filled with, well, those things, but the role you are playing too many hours a janitor - so condescending character role even led Kyle Derek comment upon it. Go flip the switch. Go collect crayons, or mushrooms, or coffee. As a first action drew to a close, Off The light has taken worsened: every time the game gives your structure, struggle, to the point where you might want to search the messenger will come back, because the people who have taken them a good place slogs frustrated, or ideas -ide just bad.
Worked hard to appear for simple tasks require you to cover a lot of real estate. As much fun as it is to move through Harran, parkour is not bringing the game itself. Another problem with Dying Light the first half, as stupid as it sounds, is a zombie crowd itself, which is not strong enough to provide a great challenge, but it was too strong to completely ignore. Undead be a nuisance - children waving their hands around and demanding attention while the game asks you to once again take to the streets so that you can pull the lever.
The bad came when Dying Light embrace ideas that has an air of intelligence, but if you cry "what do you think?" as applied. There was a time you sipped concoctions meant to disguise your transient of the undead, but the reverse control your movements. And death may very well happen depends on when you drink and how quickly you adapt to surprises. There was a time you get off on the zip lines and let the games drop you at the end of it, just to take a good amount of damage falls. There were piles of garbage several feet before the end of which you can jump into, but the limited field of view when ziplining, and bleariness visually speaking, means you probably will not know it's there until you've lost half your health bar, and you curse Techland for do not pay attention to how these elements do not quite work the same - or worse, because it does not matter.
These are just some examples of the frustration set in. After the second round arrives and you enter the old town, however, there is a moment of revelation when you look up and take in the beauty of the county. hard work has been put aside, and the excitement for the new navigation interest. Depending on how you spend skill points you earn, you get access to a hook that provides so much stimulation that you hope you will gain access to it earlier. Then again, Off The light will sometimes disappear in the "ideas" even in the second half - shooting segments are less crowded, the confrontation with some types of major criminals should you fly back and get poisoned simultaneously, and so forth. You have the tools to succeed, at least, even when the fun meter drops: upgradable weapons starting with knives and baseball bats and work up a machete and ice picks, along with throwables such as grenades and Molotov cocktails. their weapons degrade rapidly, but there are more of them scattered around than you need.
Dying Light succeed when it remains confident in its systems. The fighter does not meet such as Dead Island - you will not violate any weapon - but out in that wild world, you are not meant to cross over to the gang anyway. What drives the action is the promise of discovery and self-improvement. There is a key to select and equipment to catch before the faction opposed to them. Balcony harbor new people to meet, sharing stories if you stay long enough to hear them. When a zombie or six draws near, you swipe, kick, and bash until blood flew and grunts silenced, and you can return to your looting. Dying Light is most often approached greatness when it allows you to improvise your own songs instead of clumsily trying to do the whole orchestra.
That game like wild fluctuations can still cause so please speak well of the high points. They peaks rise even higher when other players involved, and you have some friends (up to three) to join you, interfere with viral quickly while you take care of the ground-pounding beast swung around a giant hammer. competitive zombie invasion is responsible for having you tense your muscles even further invasion when they turn the game into the arena night. It is Be Zombie mode, and while using your tentacles to grapple your way around as a zombie fun, it is the tension you feel as a human being hounded makes moments stand out. You can tweak your settings to allow or prohibit these multiplayer games suddenly, and there is no shame in wanting to explore without interruption. But if the pressure evenings Dying Light of interest to you, allowing the zombie onslaught further extends the play.
PC Impressions
In addition to the visual is pretty good, the biggest feet in the PC version of its console counterparts adjustable control its keyboard and mouse. Keep track of the main functions of various kinds can be a bit trying when things get frantic, but use the spacebar to jump still feels more immediate nature of R1 or RB in PS4 or Xbox One. (Gamepads, of course, supported.) Earlier, there were reports that the Dying Light will hang up before the dialogue or cutscenes, but these issues seem to have been patched, and PC versions are now mostly went well for us, with just hitching a rare while the load area. There are, however, occasional problems with some textures appear in low resolution and stick to it like that. PS4 version has the same problem, but in the meantime quickly corrects itself, textures appear blurry on PCs tend to stay that way.
Pro
But oh, Lights Off, how do you bother me. I hate you for a shooter who ambushed while I was swimming under water, because there is no way to know how to react until I showed up and found that I was not meant to peek my head out - yet. I hate you for the time you fill the screen with so much fog and bloom during the boss fight that I can not see very well. I hate to order that when you make me jump from one pole to the other, because you are making it difficult to get a good look at my neighborhood, and the hint button you hardly generous. And I hate moments most because your system is strong enough to allow open-world gameplay do the heavy lifting. The harder you try to direct action, weaker you become.
Fight or flee? This decision is as old as man himself.
If you count yourself among the fandom Dead Island, your expectations have been defined. You understand this inconsistency developer Techland, and you are ready to ignore the husk so that you can reap the wheat. Dying Light to grow from the same pile of strange mutated as Dead Island, but establish a separate identity from the outset. The first became apparent difference is in tone: Dead Island where the story was hard to take seriously, Off The light sets the stage for a dark drama with a city overrun with infected victims, and desperate people anxious to hospitals and relief. There was a light touch here and there: you stumble upon The Bites Motel, for example, and the covers of magazines and other details offer plenty of visual jokes. But you are meant to be fearful and cautious, and you are meant to empathize with the victims to work hard just to survive, let alone thrive.
As a secret agent sent to Harran to recover the secret file, you find yourself in over your head, play a triple agent as you perform tasks during the two main factions of the city while radioing information to the head honcho of your institution. Death is always in the air, not only because of infection has been controlled by two fairly large explorable areas in the city, but because the victim was so tired, so close to defeat. Dying Light lumbers through one cliché after another, but it was very tasty: an expressive face and a decent voice acting make beats story and cutscenes worthy of attention, even when specifically - anti-heroes with hearts of gold, a doctor close to finding a cure, criminals who thirst for power - fall solid in the ever-there, done-that territory.
Dying Light also sets itself apart with parkour system, which sees you walk around the city from a first person perspective. It takes some time to get used to climb to the rim, which requires you to see them in a proper way. But then it was off to the races, and you walk on the roof and sneering at the bottom of zombies, which largely can not handle the climb. Rushing through this fabulous world of open way, because it is solid (if not quite as good) control and well constructed climbing and jumping the road, especially in the second half of the game, which takes place in the old town vertical-minded city. Even better, parkour energizing moments of great tension. Cry comparison much easier, considering how you open some safe home game by climbing high towers. But the climb requires more finesse and situational awareness than it does in Far Cry 4, and some tower too high, making the whole effort anxiety in precision drills.
And the tension is another aspect of the Dead Lights that set it apart from fellow zombie-game. When night falls, a very dangerous and fast zombies roam the city, and all changes in timbre. It's best to avoid their vision cone criminals and avoid direct confrontation, but you sometimes mobbed irrespective of the movement of your heart. undead is more persistent than Liberty City police department, so the best option is to run, run, run until you lose them. You can hold the key to look behind you and see how close they are, and do it can be surprising when you see the incoming hordes. It has been some time since a legitimate zombie game scared me, but that looks behind-your-move revealed some horrific sights. By day, you quickly around and, sometimes, to face your fears infected. After the sun has set, you slip and ran, trying not to catch the eye of a deadly volatile nearby.
Throw in a three-pronged system upgrades that make you stronger and more agile as the game progresses, and you have the basis of a great game. Alas, too often flounders Off Lights for it to achieve greatness, even though it is ready to develop the same cult following so many games Techland did. It is a very long game filled with, well, those things, but the role you are playing too many hours a janitor - so condescending character role even led Kyle Derek comment upon it. Go flip the switch. Go collect crayons, or mushrooms, or coffee. As a first action drew to a close, Off The light has taken worsened: every time the game gives your structure, struggle, to the point where you might want to search the messenger will come back, because the people who have taken them a good place slogs frustrated, or ideas -ide just bad.
Worked hard to appear for simple tasks require you to cover a lot of real estate. As much fun as it is to move through Harran, parkour is not bringing the game itself. Another problem with Dying Light the first half, as stupid as it sounds, is a zombie crowd itself, which is not strong enough to provide a great challenge, but it was too strong to completely ignore. Undead be a nuisance - children waving their hands around and demanding attention while the game asks you to once again take to the streets so that you can pull the lever.
The bad came when Dying Light embrace ideas that has an air of intelligence, but if you cry "what do you think?" as applied. There was a time you sipped concoctions meant to disguise your transient of the undead, but the reverse control your movements. And death may very well happen depends on when you drink and how quickly you adapt to surprises. There was a time you get off on the zip lines and let the games drop you at the end of it, just to take a good amount of damage falls. There were piles of garbage several feet before the end of which you can jump into, but the limited field of view when ziplining, and bleariness visually speaking, means you probably will not know it's there until you've lost half your health bar, and you curse Techland for do not pay attention to how these elements do not quite work the same - or worse, because it does not matter.
These are just some examples of the frustration set in. After the second round arrives and you enter the old town, however, there is a moment of revelation when you look up and take in the beauty of the county. hard work has been put aside, and the excitement for the new navigation interest. Depending on how you spend skill points you earn, you get access to a hook that provides so much stimulation that you hope you will gain access to it earlier. Then again, Off The light will sometimes disappear in the "ideas" even in the second half - shooting segments are less crowded, the confrontation with some types of major criminals should you fly back and get poisoned simultaneously, and so forth. You have the tools to succeed, at least, even when the fun meter drops: upgradable weapons starting with knives and baseball bats and work up a machete and ice picks, along with throwables such as grenades and Molotov cocktails. their weapons degrade rapidly, but there are more of them scattered around than you need.
Dying Light succeed when it remains confident in its systems. The fighter does not meet such as Dead Island - you will not violate any weapon - but out in that wild world, you are not meant to cross over to the gang anyway. What drives the action is the promise of discovery and self-improvement. There is a key to select and equipment to catch before the faction opposed to them. Balcony harbor new people to meet, sharing stories if you stay long enough to hear them. When a zombie or six draws near, you swipe, kick, and bash until blood flew and grunts silenced, and you can return to your looting. Dying Light is most often approached greatness when it allows you to improvise your own songs instead of clumsily trying to do the whole orchestra.
That game like wild fluctuations can still cause so please speak well of the high points. They peaks rise even higher when other players involved, and you have some friends (up to three) to join you, interfere with viral quickly while you take care of the ground-pounding beast swung around a giant hammer. competitive zombie invasion is responsible for having you tense your muscles even further invasion when they turn the game into the arena night. It is Be Zombie mode, and while using your tentacles to grapple your way around as a zombie fun, it is the tension you feel as a human being hounded makes moments stand out. You can tweak your settings to allow or prohibit these multiplayer games suddenly, and there is no shame in wanting to explore without interruption. But if the pressure evenings Dying Light of interest to you, allowing the zombie onslaught further extends the play.
PC Impressions
In addition to the visual is pretty good, the biggest feet in the PC version of its console counterparts adjustable control its keyboard and mouse. Keep track of the main functions of various kinds can be a bit trying when things get frantic, but use the spacebar to jump still feels more immediate nature of R1 or RB in PS4 or Xbox One. (Gamepads, of course, supported.) Earlier, there were reports that the Dying Light will hang up before the dialogue or cutscenes, but these issues seem to have been patched, and PC versions are now mostly went well for us, with just hitching a rare while the load area. There are, however, occasional problems with some textures appear in low resolution and stick to it like that. PS4 version has the same problem, but in the meantime quickly corrects itself, textures appear blurry on PCs tend to stay that way.
Pro
- Encouraging exploration
- Appreciate slaughter
- Exciting side quests
- The story is so-so
- Matchmaking unstable
THE VERDICT |
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Beginning as stealth, survival-horror experience despair, Off The light gradually evolved into a celebration and gratifyingly fast, hyper-violent freedom of vertical and destruction of zombies. the main story is not spectacular, but the side quests memorable and enjoyable simply explore the world who do a fantastic job of offsetting it, making Dying Light one game open-world's most exciting - full of zombie or otherwise - I've played in a while time.
